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god of love egypt

Riad believes that the modernist state Egypt lived for decades ended at the 23 July revolution. She was one of several goddesses who acted as the Eye of Ra, Ra's feminine counterpart, and in this form she had a vengeful aspectthat protect… “I’m always attached to this era, feeling that I belong to it more than any other period of time,” she stated. In her exhibition, Riad presents Egypt as the main female figure in each painting, where visitors “can see how classy Egypt used to be, sensing the difference from the status quo.”. Surrounded by the warm giant portraits, one could not fight the invading nostalgic feeling that captures the soul, seeing nothing but cosiness among the figures. In her third exhibition, Riads tells the stories of the people who lived in the 1950s, featuring them in her paintings, reflecting their feelings, thoughts and even hobbies. At what seems to be a casino, all of the exhibition’s portraits feature a different story about one of the attendees. For those who have not lived it personally, they must have seen in in the black and white films, where ladies always wore flowy dresses, and men looked most elegant in their everyday suits. “Those who lived through the hump we went through, from the elegance of last century and the bleakness of this one, realise the jump we lived throughout, and can personally relate to what I portray,” she explained. Hathor’s worship originated in early dynastic times (3rd millennium bce). The name Hathor means “estate of Horus ” and may not be her original name. “I’m always nostalgic of the world where classiness was the main theme, love was the dominating feeling among people, and ethics were the leading soft power. “I surrounded myself buy nothing except 1950s music, films, and art. The life Riad portrayed in her latest exhibitions, taking place at Zamalek’s Nile Art Gallery, is not that far away from the nowadays people’s recognition. Most of us went to the same places and shared the same features of life. Egypt’s Only Daily Independent Newspaper In English. The 23 large portraits, sing out loud the classical musicals, mainly played by the figures. For over a year and half, the artist disconnected herself from the world, focusing only on the golden era, featuring its beauty and decency. It was like traveling back to a time I love the most and representing it in a modern way,” she explained. The God of Love captures Egypt’s superb beauty Exhibition takes visitors back in time to 1940s and 1960s, as people find themselves surrounded by nothing but … After which, all of the decency the country faded away over dozens of years. In her third exhibition, Riad depicts the era she sees herself lucky enough to be born in, yet doomed enough to also witness it fading. “This is the world [to which] I opened my eyes,” Riad said in a nostalgic tone, “a classy world with elegant people and classy surroundings. 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