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synchronic review

|, October 25, 2020 Dennis and his wife Tara (Katie Aselton) are good, attentive parents, but their daughter still did a drug that could cause her death. Dennis’s rebellious teenage daughter disappears after going to a drug party. Dennis is married to the under-written Tara (Katie Aselton), and struggling to keep up with two daughters born 18 years apart. Are the dead-and-gone truly lost, taken away, decomposed, disappeared? There are no featured audience reviews for Synchronic at this time. Directed by Justin Benson, Aaron Moorhead. (It is, among other things, surely the most trivial treatment of American slavery in recent cinema.) Copyright © Fandango. “Doubts,” one of them shakes their head, “they never go away.” But for these guys, doubts are just about all they have left, and the scenes meant to illustrate their lives fit together like a pallid jigsaw puzzle that’s missing the pieces it needs to seem whole. This 10-digit number is your confirmation number. It’s a bold and discombobulating gambit that viscerally conveys Steve and Dennis’ condition at the expense of detailing their characters — clunky dialogue like “do it in chemo, bitch!” doesn’t help — and Moorhead shoots New Orleans with a murky jaundice that makes the city look uglier and more expressive than any of the people in it. But the Big Easy is a subtly integral part of this story, if only for its past. Steve has a brain tumor he’s keeping secret. Well Go USA will release “Synchronic” in theaters and drive-ins on Friday, October 23. Just below that it reads "Ticket Confirmation#:" followed by a 10-digit number. Synchronic, the duo’s latest, adds two new elements to the Benson/Moorhead formula: movie stars and a Hollywood ending. This in turn impacts his receptivity to Synchronic, which he doses himself with to glean any clue as to Brianna’s whereabouts. (This is one of those underpopulated movies in which the characters barely seem to live in a tangible society.) © Copyright 2020 Variety Media, LLC, a subsidiary of Penske Business Media, LLC. What elevates Synchronic is that Benson and Moorhead haven’t merely done a neat trick. |, October 23, 2020 Your Ticket Confirmation # is located under the header in your email that reads "Your Ticket Reservation Details". The movie has a very predictable ending, but the story is immersive, the acting is very good, and it's worth checking out if people are interested in a well-paced and intriguing sci-fi/horror flick. | Rotten (18). It doesn't delve as deeply into the psyches of its two appealing lead characters (a couple of New Orleans paramedics played by Anthony Mackie and Jamie Dornan investigating a string of ghastly, drug-related deaths) as it keeps promising to. He is a man who has lifted the veil that shrouds all others' vision, and glimpsed the vastness of the cosmos. And Steve’s dog is named Hawking. Synchronic is just trippy enough to be intriguing while never being so psychedelic and strange that it alienates the audience. But “Synchronic” hedges on even the most intriguing of its many ideas, as the film scrambles to connect Steve’s quantum leaps with Brianna’s disappearance, and falls so far short of closing the gap between them that the film’s last act amounts to a cascading series of head-scratching moments that don’t have a strong enough emotional foundation to support the pseudoscience behind them. Our editorial content is not influenced by any commissions we receive. Can we find them? Meanwhile Steve has been diagnosed with a cancerous brain tumor that affects his pineal gland. The mournful, resigned expression on Mackie's face as he recites this sentence and others from memory gives the character a bitter edge and intellectual gravity that deepen as the rest of the story unfolds. In theaters. |, October 26, 2020 Synchronic Review. |, October 21, 2020 It’s hard to imagine how that kind of news might come with a silver lining, but Benson and Moorhead find one so contrived that you aren’t sure whether to roll your eyes at them or golf clap at their gall. This tale of enhanced perception, relativity, time, luck and fate is far from perfect. Evoking Kurt Vonnegut's classic "Slaughterhouse Five" (which Benson and Moorhead are uniquely suited to adapt), "Synchronic" turns into the story of man who chooses to become unstuck in time, partly because he needs to locate Dennis' daughter (Ally Ioannides' Brianna), who ingested the drug during a party and disappeared; but mainly because his tragic past, tied to Hurricane Katrina, transformed him into an emotionally closed-off, drug-abusing, hard-drinking womanizer. After establishing the properties of the title substance—a mind-altering designer drug in pill form, sold in single-dose packets that look like condoms from a distance—it lets Mackie's bitter, intellectual, self-negating main character, Steve, figure out what it does. All that having been said, "Synchronic" is more comfortable exploring a generalized sort of alienation, linked to feeling as though life is never going to get any better after a life-altering personal trauma (Steve's problem, dating back to Katrina), or that the best has already happened and it's all downhill from here  (Dennis' eventual viewpoint, after he loses his daughter and his marriage crumbles). Instead, it suggests that Steve's experience as Black man in America—the former Confederate south specifically—is a big part of why he's a burnout case who resents his partner's married-with-kids domesticity and feels like he's marking time on earth. When New Orleans paramedics and longtime best friends Steve and Dennis are called to a series of bizarre and gruesome accidents, they chalk it up to a mysterious new drug found at the scene. | Rating: 3/4 When you purchase a ticket for an independently reviewed film through our site, we earn an affiliate commission. Verified reviews are considered more trustworthy by fellow moviegoers. It never resorts to having characters explain how stuff works when it can visualize the process by having people perform actions. Compelling and entertaining, "Synchronic" is a worthy expansion of the emerging Moorhead/Benson filmmaking brand. for drug content and language throughout, and for some violent/bloody images. “Here’s how great it is to be white,” he would say. Coming Soon. The directors bestow a fair degree of professional polish with their accumulated expertise and improved budget here, but “Synchronic” remains a misfire that gets sketchier the more seriously it takes itself. The only thing we can control is how we respond to the randomness, and that’s an oddly inspiring tale, especially right now when everything feels so chaotic. |, October 25, 2020 Get the freshest reviews, news, and more delivered right to your inbox! This Article is related to: Film, Reviews and tagged Anthony Mackie, Jamie Dornan, Reviews, synchronic. But a new wrinkle surfaces when customers start turning up killed or wounded in mysterious ways — the connecting thread being that they were all doing a new recreational designer drug called Synchronic. 5 minute read. Dornan and Mackie are adrift through most of this movie, but the heartfelt thrum of their final scene together is a testament to the intrinsic humanity of their performances — and to the grace of a visionary filmmaking team that’s capable of creating the most beautiful moments, even if they often lose sight of the most effective way of reaching them. While there are flashes of Benson and Moorhead playing with chronology and editing, they wisely choose to avoid confusing their audience. A "time travel pill" produces an epidemic of very bad trips in this disappointingly weak fantasy drama from the makers of last year's impressive "The Endless.". Moorhead and Benson don’t overlook the more amusing aspects of the scenario: The expressions Hawking makes each time Steve goes into the past are droll, for example. Here, a couple of overworked New Orleans paramedics, Steve (Anthony Mackie) and Dennis (Jamie Dornan), discover casualties of the pill that gives the movie its title. Among the best compliments that can be paid to the filmmaking team of Justin Benson and Aaron Moorhead is to say that their movies are more interesting when you know nothing about them. But the filmmaking team of Justin Benson and Aaron Moorhead (of 2017’s “The Endless”) are working up an impressive batting average in this department. I'm being vague here because I enjoyed having no idea where "Synchronic" was going, what motivated the two main characters, whether it would turn out be an action film, a horror film or some kind of metaphysical mystery (it's a bit of all three), even what the title meant (turns out it's an allusion to both drug slang and an aspect of one theory of time). And while it offers some gripping and/or darkly beautiful images, it's ultimately more about ideas than spectacle, proving (like every previous film by this team) that you don't need tons of money to create an engrossing work of science fiction and/or fantasy. Please reference “Error Code 2121” when contacting customer service. Can we feel them even when they aren't there? 'Synchronic’ review: A unique, sci-fi-tinged drama rooted in real-world stakes and emotion. Tweet. Forgot your password? They won't be able to see your review if you only submit your rating. | Rating: 3/4 It puts thought into the science of its premise, and reveals how things work via the scientific method (literally; Mackie's former physics student-turned-paramedic does the same thing over and over again on purpose, with minor variations, taking notes as he goes). Their previous indie sci-fi films … Steve (Anthony Mackie) and Dennis (Jamie Dornan) are EMTs working the graveyard shift as they frequently come across violence and drug overdoses. ‘Synchronic’ Review: Twisted, Trippy Trips Through Time, Jamie Dornan, left, and Anthony Mackie in “Synchronic.”. When Dennis’ 18-year-old daughter Brianna (Ally Ioannides) disappears after taking the drug at a party one night, Steve knows what he has to do: In a demented act of redemption that Steve himself dubs “kangaroo shit loony,” our hero is going to buy all the Synchronic that’s left on store shelves, figure out how it works, rescue Brianna from the wrinkles of time, repair his friendship with her father, and prove once and for all that the present is a miracle to be enjoyed, not escaped. Airless and gasping by the time it reaches the finish line, “Synchronic” perversely winds up feeling like the smallest film they’ve ever made. These episodes are too brief to offer anything beyond fleeting stereotypes, and as a result , they seem a particularly weak, escapist exploitation of still-sensitive topics like virulent historical racism. Synchronic sets off on an intriguingly idiosyncratic sci-fi journey that should satisfy fans of Aaron Moorhead and Justin Benson's earlier work. “Synchronic” is more accomplished in its packaging than its content, even if Jimmy LaValle’s pervasive original score sometimes obscures dialogue, and the decent visual design factors (including Moorhead’s widescreen lensing) have their own issues. Still, the movie’s fantasy logic and character writing are both so poorly developed that this resolution too ends up seeming rather arbitrary and preposterous.

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